Review: Daddio (2023)
One of the most reliable cultural barometers of the last few years should have been the fall of Sean Penn. The shorthand for the worst speci
One of the most reliable cultural barometers of the last few years should have been the fall of Sean Penn. The shorthand for the worst speci
What a caravan of tractors and the heirs to Ross Perot tell us about Middle Tennessee’s relationship to its past.
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The Bikeriders and Furiosa chart the enduring appeal of the open road.
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The most disheartening aspect of life in Pandemica was the unified compliance of the arts community–-Rage Against the Machine requiring fans
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The much-maligned reboot is the ultimate treatise on the vapidity of coastal elites and family-values fetishists.
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Over the past four decades, journalist Sebastian Junger has routinely cheated death in warzones and fiefdoms in Afghanistan and Nigeria. His
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A24’s latest wallows in its own insularity.
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What does art that passes an amorphous purity test look like? It’s the question that has remained woefully uninterrogated in the wake of #Me
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